Clare Fischer

Douglas Clare Fischer (October 22, 1928 – January 26, 2012) was an American keyboardist, composer, arranger, and bandleader. After graduating from Michigan State University (from which, five decades later, he would receive an honorary doctorate), he became the pianist and arranger for the vocal group the Hi-Los in the late 1950s. Fischer went on to work with Donald Byrd and Dizzy Gillespie, and became known for his Latin and bossa nova recordings in the 1960s. He composed the Latin jazz standard Morning, and the jazz standard Pensativa. Consistently cited by jazz pianist and composer Herbie Hancock as a major influence (I wouldnt be me without Clare Fischer), he was nominated for eleven Grammy Awards during his lifetime, winning for his landmark album, 2+2 (1981), the first of Fischers records to incorporate the vocal ensemble writing developed during his Hi-Los days into his already sizable Latin jazz discography; it was also the first recorded installment in Fischers three-decade-long collaboration with his son Brent. Fischer was also a posthumous Grammy winner for ¡Ritmo! (2012) and for Music for Strings, Percussion and the Rest (2013).Beginning in the early 1970s, Fischer embarked on a parallel (and far more lucrative) career, eventually becoming a much sought-after arranger, providing orchestral sweeteners for pop and R&B artists such as Rufus (with Chaka Khan), Prince (a regular client from 1984 onwards, and by far Fischers most frequent in pop music), Robert Palmer, Paul McCartney, Michael Jackson, Celine Dion, and many others.

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