Deep End

  • 1971


MOVIE IS subjective beautiful powerful satirical physical
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48 %
85 % Fresh
$ 0 Million
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Positive Reviews 12
Negative reviews 3
Average Rating 3.7/5
subjective beautiful powerful satirical physical

  • All
  • Positive
  • Negative
4.0
Along with music from Can and Cat Stevens, a bizarre, beautiful ending is the high point of this wonderfully mysterious film. Time Out
5.0
Deep End is as soaked in pheromones and nervous electricity as its main character.
4.5
Skolimowskis Eastern Bloc existentialist chops finally emerge in the last act, as the futility of looking for a diamond in the snow evolves into a sex .. Village Voice
3.0
A powerful and uniquely slanted coming of age film about the troubling sexual awakening of a young boy in a sleazy setting. Sover
4.0
A romantic, comic and disturbing work thats unlike anything else made in Britain, except perhaps the work of Roman Polanski. Radio Times
1.5
Made in Munich but set entirely in London, its a bizarre tail end to the swinging London cycle of the 1960s, centring on a rundown suburban public swi .. Guardian
5.0
Deep End is bravely ambiguous and disjointed, lurching unpredictably between comedy and creepiness; but the characters are bracingly down to earth. Guardian
4.0
Flame haired Jane Asher is enchanting as object of the heros erotic obsession, and theres a bawdy cameo from a blowsy Diana Dors. Total Film
4.0
In this strange and sleazy London, hes taken a plunge off the Deep End. Cine Vue
1.5
Shes a tease, but hes fascinated and quickly becomes infatuated with her. Horror
4.5
Skolimowski allows his characters dreams total freedom, and within that subjective arena anything can happen. Bfi
4.5
Jerzy Skolimowskis darkly satirical psychological drama of young lust, sexual callousness, obsession, and fantasy is a different kind of coming of age .. Seanax
4.5
So, immediately, the setting doesnt feel right; something is off kilter and I admit I wasted a good few minutes trying to work out where in London the .. Electric Sheep Magazine
1.5
Artiness has replaced art in The Deep End and the result is closer to physical nausea than esthetic pleasure. Cleveland Press
4.5
In all of the best work of the Polish director Jerzy Skolimowski, there is a barely there surrealism in play that keeps his films excitingly unsteady.



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