Monsieur Max et la Rumeur

  • 2014


MOVIE IS unbelievably brazilian desultory amateurish tedious
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22 %
12 % Rotten
$ 0 Million
See Where to Watch Monsieur Max et la Rumeur
Positive Reviews 8
Negative reviews 40
Average Rating 1.7/5
unbelievably brazilian desultory amateurish tedious

  • All
  • Positive
  • Negative
3.2
The films pieces dont always fit together, but even in isolation, some of those pieces are well worth watching. Av Club
2.8
But by the end, viewers may be left pondering a different query: Which stinks worse EW
3.0
Gone is a most unusual thriller.Its not particularly focused on the killers identity, and though it does drop in a red herring, the actual reveal mean .. Common Sense Media
1.0
Everything about Gone has the plasticy, leatherette feel of an imitation thriller. Time Out
1.9
Nearly a year has passed since the release of Catherine Hardwickes Red Riding Hood, and Amanda Seyfried is still crying wolf.At least thats the opinio ..
2.0
A thriller so fixated on red herrings that viewers may stop caring if anyones really in danger, Gone is diverting but unlikely to linger long in theat .. The Hollywood Reporter
1.5
Brazilian director Dahlia in his U.S. debut shoots Portland and the oppressive surrounding woodlands with an ominous gloom that unfortunately never ma ..
0.6
Imagine Tyler Perry directing the lamest remake of Kiss the Girls imaginable and you can get a sense of how flat out awful the storytelling and charac .. E Film Critic
1.0
The title of the somnolent new thriller Gone may be generic, but it packs plenty of information about the movie into its lone word.
2.0
Seyfried isnt bad and there are some decent chills and little creepy bits along the way, but this is an almost deliberately familiar story.
1.0
Youll wish you cared, or even that Gone cared enough to come up with a satisfying answer to any of those questions. Cinema Blend
1.2
A tepid, silly thriller that would barely pass muster as basic cable fare...Gone should never have arrived. One Guys Opinion
1.5
That makes for a thriller that feels sedate and slow, and a big payoff that feels like a cheat. Rogers Movie Nation
1.8
Jill Parrish comes home from a night shift to discover her sister Molly has been abducted. Blu Ray
1.3
And although the film admittedly overstays its welcome to a slight degree, For the Love of Movies: The Story of American Film Criticism is, for the mo .. Reel Film Reviews
1.2
Thats if Gone were a one hour TV show!.Its even worse as a 94 minute movie, because you have to leave your house and pay money to watch it. Eric Ds Nider
2.0
Despite Seyfrieds suitably wide eyed performance, director Heitor Dhalia holds too loose a grip on the suspense, driving the film into a succession of .. Radio Times
1.9
But Brazilian director Heitor Dhalia merely recycles bump in the night thriller tropes. Rolling Stone
0.5
What do you think.What you may not think is that any so called thriller could possibly contain an ending as flat and lame as the one were handed here. Mountain X
1.5
If so, this sorry excuse for a film is laughable.If it merely wants to be an involving, provocative thriller well, it fails miserably at that, too.
3.0
Allison Burnetts screenplay parcels out brisk character notes with its twists, while Brazilian director Heitor Dhalia taking the Hollywood coin after .. Guardian
3.0
Brazilian director Heitor Dhalia makes a decent fist of creating tension, utilising an eerie soundscape, the dark location elements to create unease.
1.3
With more moxie than good sense, Jill turns into a sexy Nancy Drew with no respect for a good manicure. Observer
0.0
It would be a great terrible movie if it effectively ripped off that Liam Neeson kills all the bad kidnappers film.But nope. Movies
1.5
Is director Heitor Dhalias non thrilling new thriller a condemnation of police ineptitude or his own Boston Herald
2.0
Dhalias Gone is what it is a relatively suspenseful action thriller, comprised of all the building blocks one would expect from the genre whilst confo .. Cine Vue
2.0
Gone is a mystery/thriller that is neither mysterious nor thrilling and proves Amanda Seyfried is quite a ways off at becoming a leading lady of quali .. Matts Movie Reviews
2.5
Just try not to hold the characters behavior to any standard of the actual humans you may have crossed paths with in your life, and everything is fine .. Antagony & Ecstasy
2.0
Synopsis A year after escaping from a serial killer in the Oregon forests, nervy waitress Jill (Amanda Seyfried) comes home to find her student sister .. Sky
1.5
Theres some definite potential here, as the film deals with the fallout of a young woman, Jill Conway (Seyfried), returning to society following her a .. What Culture
1.9
It looks slick enough, but it never gets out of second gear.The endless string of chases, which are supposed to remind you of Hitchcocks wrong man sus .. Bitly
2.5
But early word on this thrillers treatment of the cock and ball brigade may have taken a bite out of Adams apples everywhere. The Ooh Tray
2.5
Gone wasnt screened in advance for critics and opened to a desultory $4.8 million gross. Anybody interested in seeing it better head to the theater po .. Clclt
3.0
Its because I could not decide whether it was absolute garbage or a work of sheer genius. Fat Guys At The Movies
2.0
Amanda Seyfried stars in Gone Could this weird neatness be proof that its all a fantasy.Or is it just an unbelievably lazy script Daily Star
1.0
And there still museums with pay what you wish admission, if not every day, then on certain days weekly or monthly.You just have to know who offers wh .. New York Time Out
2.0
Its really a thing! 1:02:05 1:03:53 Wrap up and goodbyes QOTW: What movie party do you wish you could have attended The Scorecard Review
1.8
The ending, which will not be discussed here, is jaw droppingly stupid.Gone is a slow moving thriller that doesnt make sense. Movie Chambers
1.2
No money should ever change hands in any Gone related interaction, unless it is because you are buying matches and gasoline to set all the copies of i .. Film.com
3.3
The aura of slow burning paranoia is the best thing about the picture, though its not enough to fully sustain it. Movie Line
1.0
A few cheap thrills are generated along the wayinvolving either car chases or the old cat in a closet trickbut by the end of Gone, youll be convinced .. Ear Of Newt
3.0
One of the most purely thrilling genre films of recent times, although, in some respects, its end effect is greater than the sum of its parts. Patrick Nabarro
2.0
Seyfried shows shes not the kind of actress who would be an easy victim in a Scream movie. Birmingham Mail
1.5
Its a nonsensical mix of women in peril films with girl power feminism that seems to confuse conviction with sociopathy. Fanboys of the Universe
1.5
Clearly no one in the movie has the find app on the iPhones they all carry, otherwise the movie would be over before it began. Seyfried is a beautiful .. Ladue News
1.3
This time she alone grabs top billing in Gone, a cliche thriller that lacks intrigue and suspense. BlackFilm.com
1.5
The title refers to your 12 bucks. This movie is as amateurish as Amanda Seyfried is pretty. FEARnet
2.0
Poor writing, flaccid direction deliver a tedious look at a woman in peril. First Riding Hood, now Gone, Seyfrieds got two recent films about fleeing ..
2.0
A psychological thriller lacking in both psychological complexity and thrills. Screen Wize
1.3
While Gone has some visual style, the cheap and melodramatic script fails to make it to the party. Toronto Star
2.5
Its a significant letdown that after all Jills running, and all the guessing Seyfried makes us do, the climactic confrontation plays like an uninspire .. Feeds Boston
0.5
Theres little to recommend this B grade, formulaic affair. The plot is tosh, the dialogue hackneyed at best. Ed Gibbs



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